‘The Legacy of William Ireland at The Bridge House Theatre (London Pub Theatres, Theatre Review, February 14th 2026)
‘Last Kingdom Staged Live: JORVIK Review‘: (The Indiependent, Theatre Review, January 29th 2026)
‘We Are All Brides’: The Wedding Review (The Indiependent, Theatre Review, January 25th, 2026)
‘A Rose, Regal and Cold’: Our American Queen Review (The Indiependent, Theatre Review, January 16th, 2026)
‘Stevenson Made Sadist: Strange Case of Dr. Jekyll and Mr Hyde‘ (The Indiependent, Theatre Review, December 24th 2025)
‘Kentucky Fried Chuckles: Most Favoured‘ (The Indiependent, Theatre Review, December 22nd, 2025)
Hello Mammon at White Bear Theatre (London Pub Theatres, Theatre Review, December 22nd, 2025)
Dick Whittington and His Catford Cat at The Broadway Theatre (London Pub Theatres, Theatre Review, December 14th, 2025)
‘Daniel’s Husband Is A Masterclass in Storytelling‘ (The Indiependent, Theatre Review, December 10th, 2025)
‘Lost in Translation: Woo Woolf Review‘ (The Indiependent, Theatre Review, November 7th, 2025)
‘The Flowers of Srebrenica Review: A Stark Reflection on the Srebrenica Massacre and Its Legacy‘: (The Indiependent, Theatre Review, October 28th, 2025)
‘Flywheel Theatre’s Pygmalion: A New, Shortened and Witty Revival of George Bernard Shaw’s Masterpiece‘: (The Indiependent, Theatre Review, October 8th, 2025)
“New Queer Imaginings”: A review of UCL’s queer take on Shakespeare’s Measure for Measure at The Bloomsbury Theatre (Era Journal, June 2024; pg. 50)
“Stepping into The Valley of Fear”:A review of Nick Lane’s adaptation of Arthur Conan Doyle’s The Valley of Fear at the Black Eyed Theatre (Era Journal, October 28, 2022)